To Hell with Culture

Anarchism and Twentieth-century British Literature

Golygydd(ion) H Gustav Klaus,Stephen Knight

Iaith: Saesneg

Dosbarthiad(au): Literary Studies

  • Rhagfyr 2005 ·216x138mm

  • · Clawr Caled - 9780708318980
  • · eLyfr - pdf - 9781423741732

To Hell with Culture': Anarchism in Twentieth-Century British Literature explores the ways in which anarchism and anarcho-syndicalism made an impact in British twentieth-century literature. This radical and under-considered topic is up for review now that the traditional paradigms of leftist and radical thought are under re-examination, and the Marxist tradition is being seen as something of an imposition on a situation which was always actually more various and more complex than usual descriptions have admitted. This book highlights that in the early twentieth century there were several currents of anarchist thought. Whether highly radical (as in Grassic Gibbon) or effectively conservative (as in Chesterton), a good deal of the thinking and writing that has been classed as Marxist was in fact much more fully informed by anarchist thought than has been realised. Anarchist thinking was kept alive through various authors such as Gibbon, Read, Huxley, Sillitoe and Comfort, and has in significant ways flowered again in the late twentieth century in authors like Kelman and Welsh.

Missouri Readers interested in anarchist fiction and thought, as well as anybody curious about the relationship between politics and literature, will find in To Hell with Culture new insights and critical evaluations alike.,Its contents provide a range of useful insights into the possibly undervalued presence of anarchist thought in literature.,This is a book about political fiction but without a gothic pinnacle in sight, which is a welcome relief pragmatic, universalist quality. Planet fills a real gap and is a deeply engaging work that offers a lucid explanation of the impact of the anarchist movement on British literature of the past century.

John Rignall (Warwick University) Joseph Conrad: Anarchism, Nihilism and Irony; Maurizio Ascari (Bologna University) Anarchism and Early Modernism; Paul Gibbard (Oxford University) G. K. Chesterton, Anarchism and The Man Who Was Thursday; Stephen Knight (Cardiff University) Anarcho-Syndicalism in Welsh Industrial Fiction; Keith Dixon (Lyon University) The Gospel According to Saint Bakhunin: Lewis Grassic Gibbon and Libertarian Communism; Raimund Schaffner (Heidelberg University) Ralph Bates and the Representation of the Spanish Anarchists; Kathleen Bell (De Montfort University) Red Ethel: The Influence of Emma Goldman on Ethel Mannin; Uwe Zagratzki (Oldenburg University) The Moral Vision of Herbert Read; Valentine Cunningham (Oxford University) Sidney Street, the Litvinoffs, Iain Sinclair and East End Imaginations; David Goodway (Leeds University) Anarchism in the Fiction of Alex Comfort and Aldous Huxley; H. Gustav Klaus (Rostock University) Anti-Authoritarianism in the Later Fiction of James Kelman; Ian A. Bell (Swansea University) Anarchy is the New Rock and Roll: Irvine Welsh, Alan Warner and Recent Scottish Fiction; Katie Gramich (Open University) Anarchism in the new wave of Welsh fiction; Heiner Becker (Amsterdam University) The Development of Anarchist Thought in the Twentieth Century; Christian Schmidt-Kilb (Rostock University) (Post) Modernism, or the Cultural Logic of Anarchism?

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